This month we published Interpretations – An Ethnographic Drama by Adrian Blackledge and Angela Creese. In this post the authors explain why they chose to present their research as a play script.
Interpretations – An Ethnographic Drama is an outcome of a large, team linguistic ethnographic research project, Translation and Translanguaging: Investigating linguistic and cultural transformations in superdiverse wards in four UK cities (TLANG). As part of the research project we conducted ethnographic observations in an Advice and Advocacy service in a Chinese community centre in a city in the Midlands of England. We were interested in people’s communicative practices in a context where clients needed help to negotiate bureaucratic systems related to welfare benefits, health, education, insurance, immigration status, and so on.
Following comprehensive analysis of data, we produced a rich, detailed research report. However, we were not convinced that academic writing alone was adequate for the task of representation of social practice. Although we are thoroughly invested in the tradition of writing ethnography, we recognise a need to reach beyond its limitations. With this in mind, we chose to represent the life of the Advice and Advocacy service as Interpretations – An Ethnographic Drama, which takes an arts-based approach to the representation of research outcomes.
In linguistic ethnography we typically observe, and ultimately explain, the lives of others. But we wanted to move beyond explanation of cultural life, which can be reductive. We chose to represent the social practices of the Chinese community centre as ethnographic drama because it is a form which by definition resists explanation. It was not our intention to explain or make meaningful the lives of Chinese or Chinese-heritage people in the UK. We were instead concerned with all aspects of communication.
The community centre proved to be a rich site at which to observe the communicative practices with which advice workers render the world more just for their clients. We peered into the hidden spaces where, day after day, mediation, translation, and interpretation enable those with limited capital to gain access to resources which are otherwise elusive, and often out of reach. Through ethnographic drama we did not attempt to explain these cultural practices, but we made them visible.
Ethnographic drama enables us to show the complexities of interactions in which Advice and Advocacy workers are essential figures who keep the city moving. Beyond making social space more habitable, they have the potential to make life better for those who come to them for help. In our observation of the advisors’ practice, more than anything we see people concerned to improve the lives of their clients. In the nooks and crannies of social life they keep the superdiverse city moving. In showing the world rather than telling it, ethnographic drama offers a representation of social life that has the potential to enhance, heighten, and expand understanding, and to bring ethnography to wider audiences.
We are very grateful to Mutlilingual Matters for their generosity and vision in enabling us to take off creatively, turning field notes, transcripts, and other ethnographic material into drama that shows communicative practice in an often-concealed part of social life in the superdiverse city.
For more information about this book please see our website.
If you found this interesting, you might also like the authors’ previous book, Voices of a City Market.