Behind the Scenes… What Happens to an Accepted Manuscript?

17 October 2017

Once a manuscript has undergone external peer review, been suitably revised by the author and is approved for publication by the series editors (where relevant), it is accepted for publication. We then ask the author to complete an author questionnaire and checklist and start to get the manuscript moving towards production. But what are we doing exactly? In this post, Laura outlines the small but vital stages between editorial and production.

Commissioning Editors with books from their respective series

The first thing a Commissioning Editor does is book a slot on our production schedule. Each month we publish a certain number of books, typically between 4 and 6, so there are a limited number of places available. The Commissioning Editor will most likely have already provisionally pencilled in the manuscript well in advance of it being accepted, using their knowledge about the extent of the revisions required and how busy the author and series editors’ schedules are. But it is only now that a publication date is set and finalised. At this point it is therefore extremely helpful to us if authors keep to deadlines they have promised!

Once the Commissioning Editor has received all the final files and supporting documents, they will check through the manuscript one last time. They ensure that the author has submitted all the documents (table of contents, each chapter, references, appendices etc) and confirm that permission has been cleared for all material from external sources. They will then update the book’s proposal P&L with the latest word count, as we use this to estimate the pagination and price.

The book is then ready for the Commissioning Editor to schedule for discussion at the next in-house editorial meeting, usually held weekly. For those of us not involved in the book until this stage, this might be the first we’ve heard of it since the proposal was accepted, often some years previously! At the meeting we discuss and approve the title; make a final decision about the format (whether it will be published in paperback and hardback simultaneously) and approximate the print run.

With all of the above finalised, the Commissioning Editor is now ready to hand the book over for production and marketing. In order to make the handover process a smooth one and to help impart as much of their knowledge about the work to the rest of us as possible, they complete a handover sheet. The handover sheet splits naturally into three sections: key details about the work, then a production section, followed by marketing information.

The key details section is where we store absolute final information about the book, mainly what we decided on at the editorial meeting. It is where we look if we cannot remember whether we did decide to remove a comma from a title or exactly which subtitle we eventually chose! It is therefore like gold dust as it is vital that we are consistent, once we have made a decision: as soon as data starts to leave our database, it is sometime hard to find where it has gone and overwrite it.

Sarah, our Production Manager, hard at work

Next comes the production section where the Commissioning Editor will tell Sarah, our Production Manager, and Flo, who does the covers, information about the book. Sections include whether there is a preference for British or another variety of English; if the author already has a particular idea for the cover and if we have agreed anything special with the author, perhaps with regard to the layout or format. We also tell Sarah about what she might expect when working with the author. This includes things such as if one is taking the lead (in the case of multiple authors) or whether we know the author is about to go on leave. This is important as production runs to deadlines which are much firmer than those in editorial often are.

Finally comes the marketing parts of the handover. The Commissioning Editor writes the blurbs, suggests subject categories and says who to approach for cover endorsements. They will also advise the marketing department on the book’s highlights; note any geographical contexts featured in the book (which might be helpful for our local sales reps); list which of our other books it links with and state any other key selling points of the work. They will also let us know any bright ideas they have for any special, out-of-the-ordinary marketing!

We find that handing a manuscript over in this way works really well. Ultimately, the Commissioning Editor is the person in the office who knows most about the book and the more of their knowledge they can share with the rest of us, the more likely we are to have a smooth, enjoyable and successful publication.

Laura


Behind the Scenes… Marketing Your Book

8 September 2017

Every month Laura and I sit down together to have a marketing meeting where we discuss books that are currently in production, are about to be published or have just been published. This is a chance for us to outline a bespoke marketing plan for each book and check up on its progress at key points throughout the publication process.

Shortly after a book goes into production, we have an initial meeting about it, in which we take a look at the documents filled out by the author and the commissioning editor (this is when the Author Questionnaire comes into its own!) and devise a personalised marketing plan for it. The commissioning editor will have pointed out the book’s unique features and flagged up anything else that might help us to market the book (does its publication coincide with a relevant day, e.g. World Heritage Day or is there a particular news story that ties in with the book’s content?)

The AQ is another source of valuable information to us at this point, as it contains details of relevant conferences, journals, blogs, newspapers, magazines and organisations that we can contact to spread news of the book’s publication. If you have any specific contacts, like a journalist for example, make sure you include this on your AQ, as it can be a challenge to successfully make contact with newspapers or magazines without one. In the past, the books which have had the most exposure have been the ones whose authors have given us plenty of ideas for publicising the book and have put us in touch with relevant people who will help to spread the word. When it comes to the media, local contacts should not be underestimated. It’s often local papers and magazines that will be most receptive to being contacted and – particularly if your book is of local interest – more likely to want to feature a piece about it. If you’re able to establish contact prior to the publication of your book, it will be easier for us to go back and notify them once the book comes out.

Our two Twitter pages on which we post tweets about books

At the end of the initial meeting, we outline a plan for the book and assign tasks to each of us. I deal with all the social media promotion (including arranging blog posts, publicising the book on Twitter and Facebook, posting any accompanying videos on our YouTube channel etc.), as well as contacting any media and organisations we think might be interested. This could be anything from print newspapers and magazines to blogs and online publications, as well as specific organisations with mailing lists who may be able to share publication news with their members. Meanwhile Laura takes care of areas such as conferences, book prizes and production of marketing materials like flyers.

Shortly before publication, we meet to discuss our progress. This interim meeting is more of a check-up meeting than an action one as we make sure that we have everything prepared ready to launch on publication. The timing of marketing can be key so it is important that we are all set in time for the book’s release. We might do things such as make sure that we have asked the author to write a piece for our blog, written a press release ready to send out on publication or made a list of suitable journals to offer the book to for review.

Finally, once a book is published we meet to discuss what we have done, what was successful and what was less so. We record all our efforts and eventually present an individual marketing report for each book to the rest of the team. This is done six months after publication when we also look at the early sales of the title. We are always interested to see if there is any correlation between ours and the author’s marketing efforts and the early reception a book gets.

If you have any ideas for marketing your book that aren’t here, make sure you get in touch as we’ll always do our best to make them happen!

Flo


How do we use social media to market our books?

6 July 2017

We at Multilingual Matters/Channel View Publications are very active on social media and have built up substantial communities across all our accounts. We enjoy interacting with our authors, publishing contacts, readers and people with a broader interest in the topics on which we publish, and have strong followings on both Facebook and Twitter, with nearly 2,000 contacts across our Facebook pages and over 15,000 on our two Twitter accounts.

Social media has also become an integral part of our marketing campaign for each book that we publish. In the weeks and months leading up to and following a book’s publication, we in the marketing department use our various social media channels (Facebook, Twitter, this blog and YouTube) to announce its publication and publicise it as much as possible. It’s the easiest and most effective way of getting news to lots of people at once and on top of that, it allows people to engage with and discuss our publications, both with us and amongst each other. Of course, social media doesn’t come at the expense of our traditional marketing strategies and we still follow usual marketing techniques such as catalogue mailings, email newsletters, sending information to the book trade, attending conferences and book fairs and so on, but it does offer something new and different to our marketing repertoire.

Commissioning editors with books published in January

When using social media to market a book, it’s a real advantage if we have an author who is active themselves on social media and can help us to spread the word. Authors are best placed to reach their book’s key audience as their own colleagues and peers are likely to be those interested in the research. We often find that some of our bestselling books are ones where the author hasn’t been afraid of get stuck in! For example, you could create a Facebook page for your book like our authors Christian W. Chun and Leanne White did, where you can keep people up to date with the book’s progress and share useful information and news, including the 50% preorder discount flyer we create for all our books. In addition, if there are any relevant events that tie in with your book’s publication, do let us know! For example, we’ve previously promoted Hongliang Yan’s book, Heritage Tourism in China, in conjunction with World Heritage Day. Facebook is also the main place where we post photos of office goings on, so your book may well end up in a photo like the one above of our commissioning editors with their books published in January. If you have any ideas for a relevant photo opportunity for your book, just let us know and we’ll see what we can do!

Twitter is a great place to get book news out to the right people, and we do try to “mention” relevant accounts with publication news where we can. If you have any ideas about popular hashtags used by the community you’re trying to reach or users who would be especially interested in your work, let us know on your AQ and we’ll include them in our marketing plans. Each of our books are assigned three or four tweets during the month following its publication giving a taster of what to expect from the book, and we also announce it on both Twitter and Facebook on publication day. By using relevant hashtags, the word about a new book gets out to people who might not have heard about it otherwise, and we often see people mentioning friends or colleagues with recommendations of our books.

We ask all our authors to write a piece about their book for our blog, which we schedule to coincide with its publication. This is a really good way to publicise the book and provide interested readers with a “behind the scenes” insight into how the book came about, giving authors a chance to sell their book beyond the blurb on our website. If you can send us photos or even videos to include in the post to grab readers’ attention, even better! We always announce new blog posts on Facebook and Twitter ourselves, but again, the braver authors are about sharing their post and telling the world about their work, the greater the number of views and the more engagement we see.

One of the videos to accompany Optimizing Language Learners’ Nonverbal Behavior

For those authors that are feeling especially creative, we also have a YouTube channel where we post videos authors have produced to accompany their book. For example, we recently posted a video by Wayne E. Wright and Colin Baker where they spoke about the latest edition of Foundations of Bilingual Education and Bilingualism and one by Janet Enever and Eva Lindgren introducing their new book Early Language Learning. For their book, Optimizing Language Learners’ Nonverbal Behavior Tammy Gregersen and Peter MacIntyre produced a series of accompanying videos, such as “Say it with your Hands!”, all of which can be accessed on our YouTube channel. If you’d like to do something similar for the publication of your own book, just get in touch with us to discuss your ideas.

Nowadays social media is an invaluable tool for getting publication news out there, and we do our best to publicise your book as much as possible, but there’s no doubt that the more active the author is in promoting their book through their own channels, the better. So get Facebooking/Tweeting/Blogging/YouTubing!

Follow us on Twitter: @Multi_Ling_Mat / @Channel_View

Like our Facebook page: Multilingual Matters / Channel View Publications

Check out our YouTube channel


Channel View Team at London Book Fair 2017

11 April 2017

Last month Sarah and Flo popped down to London for the day for the London Book Fair at Olympia. It’s always a good chance to meet and catch up with all our publishing contacts in one place and we see everyone from reps and ebook providers to distributors and designers.

Flo at London Book Fair 2017

After a pretty civilised 11am arrival, we had a bit of time to wander around and acclimatise to the hustle and bustle before meeting our UK distributor, NBNi. After a quick catch-up with Juliette Teague and Matt Devereux, there was time to grab some lunch before our meeting with Kelvin van Hasselt, our rep for Sub-Saharan Africa and the Caribbean.

Covers designed by Latte Goldstein at riverdesign

After our appointment with Kelvin, we were due to meet our new book cover designer, Latte Goldstein from riverdesign. After some confusion and a couple of incidents of walking past each other (it’s surprisingly difficult to get a proper look at people’s name badges!), we eventually managed to meet up and had a useful discussion about the current projects he’s working on for us. We now have two books in the pipeline whose covers have been designed by Latte, International Student Engagement in Higher Education by Margaret Kettle and Early Language Learning edited by Janet Enever and Eva Lindgren.

In the afternoon Flo went off to explore while Sarah had a meeting with Darren Ryan, the CEO of one of our suppliers for copy-editing and typesetting, Deanta Global. Darren was showcasing DeantaSource, their web-based project management portal, where authors can login and make corrections to the proof file. Another meeting followed with James Powell of ProQuest, one of the library ebook aggregators we distribute ebooks to. James was very happy that our ebooks are often distributed before the print book is available.

We then came back together for a meeting with Andrea Jacobs from our US distributor, NBN. It was nice to be able to put a face to a name you email on a regular basis and we had a good chat about our experience of moving over to a new distributor.

Our dedicated and diligent Production Manager

With all our meetings over, we went to the IPG drinks reception where we fought our way through the crowds to the stand of our database provider, Stison, to have a quick catch-up with them and take advantage of a great photo opportunity (see right!). When the drinks had run out, there was just time for dinner with one of our printers, CPI, before we caught the train back to Bristol. We look forward to seeing everyone again at London Book Fair 2018!


Goodbye (for now) to Elinor!

20 January 2017

Today is a sad but exciting day in the Channel View office as we say goodbye (for now) and good luck to Elinor, who is going on maternity leave. Elinor has been working at Channel View for nearly 12 years and has, amongst many other duties, been responsible for managing this blog since its inception in 2011. In this post, we find out about the work she’s done at Channel View over the past 12 years and what she’s going to miss most about working here.

How has your job changed over time, from when you first started to now?

Elinor's early days at Channel View

Elinor’s early days at Channel View

I started in a 6 month maternity cover position in 2005 and my first role was PA to the sales and marketing department. My main jobs were answering the phone, sending out books and general admin. Over the years I have taken on more responsibilities and I became marketing manager and part of the management team in 2008. Since then Laura and Flo have joined the marketing team and between them will be handling all the marketing while I’m on maternity leave.

What’s your favourite part of your job now?

It’s always lovely to get positive feedback from an author when their book is published and they say how pleased they are with their book and how much they have enjoyed working with us. I also enjoy having personal contact with all of our authors throughout the process and working with them to market their book.

What are you happiest to be handing over?

I find the twice yearly catalogues quite time-consuming, especially if it’s a busy time of year, so I won’t miss working on those. I will also be happy not to be dealing with the daily deluge of emails which come flooding in!

Any top tips for a new marketeer?

It’s always great to encourage authors to get really involved with the marketing of their book. Some of our most successful titles are ones where the authors have had great ideas and utilised their own networks and contacts to market the book as well as using social media to get the word out to their colleagues. However, I’m sure that the marketing will be in capable hands with Laura and Flo while I’m away and that they don’t need any tips!

What will you miss most about the office?

I will miss our Friday lunches and all the gossip from the office! But hopefully I will manage to pop in and catch up with everyone while I’m on maternity leave. Some of us have worked together for over 11 years so it will be very odd not to see everyone every day. I will miss the conversations about The Archers, orienteering, Manchester United, the royal family, cake, netball, Disney films and Dawlish which are all important topics in the Channel View office!

We'll miss you!

We’ll miss you! Good luck and make sure you pop in to visit us soon!

While Elinor is on maternity leave, Laura and Flo will be covering her marketing responsibilities and Sarah will be acting commissioning editor for the Aspects of TourismAspects of Tourism Texts and Tourism Essentials series.


We’re Winners of an Award for Excellence!

21 September 2016
Elinor and Laura celebrating our achievement

Elinor and Laura celebrating our achievement

We are delighted to announce that we have recently been awarded with a BIC Product Data Excellence Award. This is a book publishing industry award that denotes how well we submit information about our books to the book trade. Publishers are scored both on how complete their data is and the timeliness of its delivery to the industry.

While it may not seem like the most exciting of awards, it is actually very important. With good information book buyers find it much easier to discover and order books, which makes their job quicker and results in more book sales and greater reach for our authors’ work. The data required is extensive and ranges from the very obvious, such as title and price, to information such as the exact weight of an individual book.

We have spent many of our spare moments and long afternoons over the past year manually entering the data for very old titles into our database (and even doing things such as weighing books from the archive!), while also ensuring that all new titles meet very tight data deadlines. It has been a long and arduous process, fuelled by lots of tea and biscuits, but we are very happy that 99.93% of our books now have complete records (the missing 0.07% are sadly so old we don’t even have a print copy in our office archive) and we always easily hit the 80% timeliness quota.

There are over 750 publishers in the UK, so to be one of only 29 with an Excellence Award, and to be in the same category as household names such as Penguin is very satisfying (you can see the full list of publishers with awards here). We may only be a small publisher but we are proud to be ranked for data as highly as many big publishers and even better than many others. Needless to say, our ambitions haven’t stopped with Excellence and we’re already in discussions about what we can do to be promoted to the Excellence Plus top category!


How to choose a good book title

8 July 2016

Picking a good title for an academic book is vital for getting your work seen by other researchers in your field. Good academic titles reveal not only the topic but also an idea of the specific approach, argument or area of discussion. This post provides a helpful guide to choosing a title for your academic monograph.

First of all, remember that keywords are crucial. Think about the key terms you use throughout your work and make sure they’re included in the title. Make sure these keywords are also used throughout the book, in chapter headings and in the book blurbs.

Think about what search terms people would use if they were searching for your book and make sure you include these. Start by googling your potential title. If there are not many results this might mean that the terms you are using are not in common usage and therefore are best avoided. However, if there are many results be sure to check that there are no other books, papers or journals with the same title as yours as this will only cause confusion. In short, you want to get an idea of whether people are already searching for the keywords you’re using. Make sure the results that come up in your search are in the right discipline.

There is a difference between the main title and the subtitle. Sometimes books are only cited by the main title not the subtitle so make sure you’re not hiding any key information in the subtitle. The subtitle can contain more specific information such as the region or the kind of approach used which is not essential to the overall topic of the book. The specifics of the context, the precise languages covered or the specific participants of the study can be detailed in the blurb and the book. This doesn’t necessarily need to be in the title of the book.

Use clear and concise language to describe the topic of the book. Don’t use obscure academic terminology or jargon which isn’t widely known in the field. Remember, booksellers are not always experts in your field so the title needs to be clear to those who only have a broad understanding of the topic. Equally, if you’re coining a new term or phase in your book, it might be best to avoid using this in the main title as it won’t be known to many people and they won’t use it as a search term to find the book. Avoid using a clever or funny phrase as a title. Although it might mean something to you, out of context it won’t mean anything to anyone else and it won’t accurately convey the content of the book. Many people think an alliterative or quirky title is more appealing but really this is not appropriate for an academic audience and it is best to just focus on making the content clear.

Remember that the book title is sometimes the only thing a potential reader will see before making a decision as to whether to find out more. Make sure it is attractive to researchers in your field without being misleading or ambiguous. There’s so much research out there you want to make yours memorable so that readers realise it’s exactly what they’re looking for.

Good book titles

Examples of good book titles

Good examples of academic book titles:

  • Complexity in Classroom Foreign Language Learning Motivation: A Practitioner Perspective from Japan – This displays the overall topic as well as the specifics of the author’s context.
  • Multilingual Perspectives on Child Language Disorders –This clearly depicts the area covered and the perspectives taken.
  • The Linguistic Landscape of Chinatown: A Sociolinguistic Ethnography – As well as a clear main title, the subtitle here clarifies the approach taken.

Bad examples of academic book titles:

  • Language and Society – This is too broad and does not show what aspects of language and society are being explored.
  • Discover, Discuss, Debate: Investigating Language Use in the Multilingual Classroom – Although the main title might sound snappy and appealing it actually tells you nothing about the book and in fact, the subtitle would make a much better main title.

Key tips

  • Use as many keywords as possible in the title, preferably ones that you have also used throughout the book.
  • Think about the search terms that potential readers would use when searching for your book and include those in the title.
  • You need to remember that sometimes all the information a potential reader will have about your book is the title. If that isn’t enough to sell it, you’ve missed your chance.
  • Don’t use obscure or incomprehensible language or technical jargon.
  • Don’t be vague, anything with multiple meanings that could be misconstrued or misunderstood should be avoided.

The Life of a Book – Post-production!

27 May 2016
Laura showing off some newly arrived books

Laura showing off some newly arrived books

Arguably the most exciting days in our office are the days when new books arrive. We love receiving such packages from the printer and having the final product in our hands, and we’re sure that our authors feel a sense of joy and achievement on receiving their copies. To some, this is seen as the end of a journey – the editorial and production work has been successfully completed and the job of publishing the work is done. But as a publisher, we’d be pretty useless if we saw this as the time to stop working with a book. In fact, for us in the marketing department, this is our moment to shine!

Elinor and I will have been busy in the run-up to publication setting things up ready for the book’s publication. This means that we will already have let all our distributors, wholesalers and sales reps know that the book is on its way; we will have ensured that the book has a complete listing on our website; and we will have provided the author with marketing materials, such as information sheets and discount flyers for them to give to any interested potential readers.

The ground has then been properly laid for us to start the immediate marketing of a book on publication. We announce that the work has been published to as many people as possible. We inform all industry members, such as wholesalers and sales reps, that the work is now available for their customers and try and reach as many customers as possible directly. This might be done by posting on listservs, such as Linguist List (Multilingual Matters titles) and Trinet (Channel View Publications titles), sending a newsletter to our email subscribers, sharing the news with our Facebook and Twitter followers and informing journal book reviews editors and authors of related blogs, for example.

All our new books are available simultaneously as print and ebooks, so there is also work to be done to get news of the ebook out. Sarah, our production manager, ensures that the book is available to purchase on a variety of platforms, and we ensure that it is also available on our own website. At this stage we also start to send out inspection/desk copies to those who have requested one from our website and we give the option of an ebook rather than a print copy. This means that course leaders get the text immediately and can start considering it for adoption on a course much quicker than the traditional way.

Anna and Tommi promoting our books at AAAL earlier this year

Anna and Tommi promoting our books at the AAAL conference earlier this year

Once the initial marketing has been completed and the buzz may have quietened down, we continue to publicise the work through other avenues. Common ways of doing so are through our catalogue mailings, and additional flyers and materials we produce for our sales reps, series editors and authors to distribute. We also attend many conferences throughout the year and always have lots of our recent and relevant titles with us on display. On occasions when we can’t attend an event in person we frequently send display copies and discount order forms to continue to make potential readers aware of our books.

When a book reaches 6 months old we review its progress at an editorial meeting. We look at the sales figures and discuss how its early sales are looking. This is a useful stage to review a title as it is still young enough to be of interest to booksellers and so we give a title a marketing boost if we feel that we may have missed an opportunity. This is the time when we start to see the very first reviews of a book appear in journals and these continue to appear over the course of the next few years.

On a book’s first birthday we again review its progress and might even start to think about reprinting copies of the work if it has been particularly successful. We monitor our stock levels each month so we try and ensure that we are on top of demand and that a book is always available, but occasionally we’ll receive an unexpected order, perhaps if it is suddenly adopted for a course and we receive a bulk order from a university bookshop preparing for the start of a semester.

Chinese translations of several books from our Languages for Intercultural Communication and Education series

Chinese translations of several books from our Languages for Intercultural Communication and Education series

We continue to monitor sales annually and promote the book when appropriate for as long as there is demand for it – often for many years after publication. Occasionally a book will receive additional attention, such as from a foreign publisher wishing to buy the rights to translate it into a foreign language. This is a really exciting time and such news is always greeted enthusiastically both in our office and by an author who is usually chuffed to hear that their work is to be translated and published for a new audience. We have recently sold our books for publication into languages such as Japanese, Chinese, Bahasa Melayu, Arabic, Korean, Macedonian and Greek. Of course at this point, the book gets a second lease of life and it’s down to the foreign publisher to repeat the life cycle of a book as outlined in this post!

Laura


Getting to know the Channel View team: Elinor

12 May 2016

In this blog post we get to know Elinor. Elinor is our Marketing Manager and celebrated 10 years of working for CVP/MM last summer. She was also a student here at the University of Bristol, where she studied German and Spanish, so she has lived in Bristol for even longer than that. She’s pretty good at knowing about new places to see and things to do in Bristol, so we’ll start by asking her about her favourite hobbies.

Ellie in a tree

Elinor enjoying the great outdoors

You’ve lived in Bristol for quite a few years now, what are your favourite things to do in the city (aside from working for CVP/MM that is!)?

There is always so much going on in Bristol that there is always something to see and do. But I think my favourite things to do are wandering along the harbourside or through Ashton Court stopping off for coffee and cake along the way.

The harbourside area is one of my favourite places too and Ashton Court is such a lovely green space, those sound like good suggestions to me, especially if accompanied by coffee and cake! You must have quite a sweet tooth then, do you do much baking at home?

Yes I love to bake cakes and biscuits and once I even worked my way through a book of 101 cake recipes in a year. It was fun but pretty hard work to bake 2 cakes a week for a year but my friends and colleagues really enjoyed sampling the results! With several keen bakers in the office we quite often have delicious home-baked treats to get us through our long meetings!

Ellie showing off her baking skills

Elinor showing off her baking skills

I remember that year well, I think I had to do double the amount of exercise to burn off the calories from all your delicious cake! I’m guessing your bookshelves are lined with lots of cookery books, but are you also a big reader of fiction, or any other genre?

Ha! Yes fortunately the excess of cake didn’t affect our waistlines too much! As well as the many baking recipe books I pore over on a regular basis, I love to read fiction and get through several books a month. Although I mostly read contemporary fiction, I also appreciate the odd classic and enjoy nothing more than spending a good hour or so in the library picking new books to read. In fact, it’s getting to the point where my shelves at home are overflowing with unread books but I still can’t stop myself acquiring more!

It’s good to be keeping libraries busy too! Do you have any favourite books or authors to recommend?

This is a tricky one, I have so many favourites! One of my all-time favourite books is Nights at the Circus by Angela Carter. The best book I have read recently is The Goldfinch by Donna Tartt.

I agree that selecting a favourite book is very difficult!  So, one final question before we do some quick-fire ones to round up the interview, if you could be a character in a (fiction) book, who might you choose to be?

Ooh that’s really difficult! Although I like the idea of being in a Jane Austen novel and going to balls, I think that being a woman in that era would be a bit too restrictive for my liking! Might be fun to try out for a day though.

A day would certainly be fun!  Just a few more questions and then you’re done:

Cakes or biscuits? Too difficult. I refuse to answer. Both play such an important role in my life, it would be like choosing your favourite child!

Rural or urban? Again, a very difficult question. I love living in a city but enjoy escaping to the countryside for walks.

Dancing or singing? Singing

Board games or card games? Board games

Sunrise or sunset? Sunset

Motorbike or pushbike? Cycling on a normal bike is scary enough at times! I wouldn’t dream of getting on a motorbike.

Antique or modern? Modern


Our new catalogues are now available

4 November 2015

In order to save precious resources – both the planet’s and our own! – we haven’t mailed out our catalogue so widely this year. Instead, our latest catalogues are now available to view online or you can download the PDF. Just click on the covers to download the PDF or follow the links below for the online versions.

MM Catalogue front pageCV Catalogue front page

 

 

 

 

 

 

 

 

You can view the catalogues online here:

Multilingual Matters

Channel View Publications

Alternatively, if you would like to receive your own hard copy please email us at info@channelviewpublications.com with your mailing address and we will be happy to send you one.

Don’t forget you can also sign up to our email newsletters to keep up-to-date with the latest on our new books and special offers.

We have made the decision not to mail out our catalogue as widely this year due to a number of reasons. Rising mailing costs as well as high numbers of returned catalogues have meant that a mass mailing has become unsustainable. We are aware that many hundreds of catalogues get thrown away as they are sent out to people who have moved or no longer want the catalogue and we hate the idea of this waste. Keeping a large mailing list up-to-date just adds to the difficulties of keeping costs down at a time when our budgets are already constrained.

However, we would be very happy to send out a copy of the catalogue to anyone who prefers a print copy to the electronic version so please just request a copy from info@channelviewpublications.com if you’d like one.


%d bloggers like this: